Posts Tagged ‘Fashion Designer’

Fashion has to reinvent itself.

Hopefully, and once again, there are plenty of colleges of style that are going to give us a tasty and perfect new fragrance of fashion designers, trend stylists, and professional fashionistas. This is going to be a real opportunity to complete our wardrobe with up and coming new glamorous outfits; hopefully you will be the first ones off the beaten fashion track!

One should have a fashion accessory for every day of the year; perfectly fit for each day, because every day is a special day.

People should be able to reveal their identity while wearing chiffons or embellishments trimmings. We must be able when we see a glamorous woman in gorgeous Indian ribbon to read through her curves, and through her body language, the unspoken words… her deepest aspirations and thoughts, and her secret envies.

These are reasons why those fashion schools, dedicated to promote talent, are sharing the same and common aim: bring new fashion expert to life. Successful fashion industry icons such as celebrity’s fashion designer, celebrity’s makeup artist, international photographer or even celebrity’s hairdresser are teaching them and training them to become future fashion stylists.

But wait. The modules are only one day of class a week for twelve weeks only. Isn’t it a little bit short to claim to be a professional stylist? We are reading everywhere in fashion gossip magazines that it can take a life to become a professional fashionista. To make the fashion industry truly gets to have a glance at your work. And even when you manage to make it happen, you still have to fight to start your own career and to be recognize as a professional.

We are certain that their love and passion of fashion and style are going to wake up our wardrobe with haberdashery brooches and buttons very soon… amongst many other fashion accessories. But will they manage to get a real start in the fashion industry? For how long will it be a success?

Author: Paresh Raja
Article Source: EzineArticles.com
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Deep in the countryside of Saumur France, August 19, 1883 bore the birth of a baby girl given the name Gabrielle Chasnel. As the illegitimate daughter of a forsaken romance between an aspiring seamstress and a Nomad, Gabrielle would grow up ashamed of her family and later lead her life in denial of her past. Still against all odds, she would become a legend; one who would eventually be known to the world as Coco Chanel. As an integrative fashion designer, Coco single-handedly launched what is now considered to be one of the world’s most recognized brand names: Chanel. Named after her adopted surname, the company which first began in a small French village nearly 100 years ago is now worth an estimated 11.8 billion dollars. How exactly did Coco Chanel accomplish such a rags-to-riches fairytale? Her journey was not a simple one.

Gabrielle Chasnel began her life as the second child of Jeanne Devolle and Albert Chanel, a young and unwed couple searching for independence and identity. When Gabrielle was born, her birth was recorded by two illiterate employees of a local hospice. The workers were not sure of how to spell ‘Chanel’, prompting them to improvise and spell her surname incorrectly as ‘Chasnel’ on the birth certificate. Later as an adult, Gabrielle would refuse to correct this mistake in fear that the truth of her illegitimacy would become public. The Chanel family struggled financially during Gabrielle’s childhood, with Albert and Jeanne often sacrificing their own food to feed their children. By the time Gabrielle was 12 years old, she had 4 siblings in total. Despite having relatively close relationships with her family now, Gabrielle would later insist that she was an only child, and pay her real siblings off as a way to prevent public humiliation from the truth about her real family. Her father left early in 1895 that year to expedite across Europe, leaving Jeanne alone to support their 5 children. The combination of loneliness and stress led Jeanne to face a series of medical problems. Her health matters only became worse over the years, and she eventually died from tuberculosis in the winter of 1895.

Gabrielle’s father returned for a short while, but soon left again in hopes of saving up money to raise his family. Because of his absence, the Chanel children were divided to stay with extended family and orphanages. Gabrielle, along with her older sister were sent to an orphanage. Since they had no money, the girls stayed at the home for free. Still, this was in no way considered a privilege. The nuns or “aunts” as they were referred to at the Catholic-based home were extremely cruel to the Chanel sisters in particular, and often singled them out for being ‘charity cases’. To ‘earn her keep’, Gabrielle was forced to became a seamstress. Though assured that her stay there was temporary, Albert never returned to his family.

Gabrielle remained in the orphanage, visiting her other relatives only during school vacations. On the occasions that she did visit, various female family members adamantly taught Gabrielle techniques to improve her sewing. At the age of 18, Gabrielle left the orphanage and began working for a local tailor. Despite talking freely about her experience at the orphanage, and explaining in meticulous detail the abuse in which she encountered from the ‘aunts’, Gabrielle later insisted that she was more than thankful for her upbringing. She once told a French newspaper that “I’ve been ungrateful toward the odious aunts. I owe them everything. A child in revolt becomes a person with armor and strength. It’s the kisses, caresses, teachers, and vitamins that… turn [children] into unhappy or sickly adults. It’s the mean and nasty aunts who create winners… under nastiness looms strength, and a passion for grandeur.” Still, Coco frequently contradicted herself, blaming the aunts for her all her inferiorities. This irregularity from her interviews led many to question her honesty in later years.

The first decade of the 1900′s not only brought the fresh start of a new century, but also many personal changes for Gabrielle. After adopting the name Coco during a brief stint as a café singer from 1905-1908, Gabrielle met and began an affair with a man she was introduced to while working at a tailoring shop: a French playboy and millionaire, Etienne Balsan. Gabrielle, hereafter referred to as simply ‘Coco’, quickly turned into a member of an accustomed high-class society. Life became a materialistic game in which Coco thrived to have more riches than anyone else. Balsan endowed Coco with splendors of the rich life, including diamonds, dresses, and pearls. During her time spent living with Balsan, Coco took on the hobby of designing hats for herself. Soon, this frivolous pastime became a much more profound talent and interest of the budding designer. In 1907, Coco opened up her first shop which offered a range of chic raincoats and jackets for a generous cost. Coco later confessed that the shop was in fact Balsan’s lavish Paris apartment, and that she had taken it over after leaving him the prior year. Though the fashionable boutique was located in the center of thriving Paris, France, the store was not as prosperous as Coco had hoped. She was requested to surrender the property in early 1908. Still, the lack of success from her shop failed to disappoint or discourage Coco; it only made her more determined.

On a chance occasion prior to World War I, Coco reconnected with Etienne Balsan’s former best friend, Arthur “Boy” Capel, a wealthy English polo player who Coco later referred to “the only love” of her life. The two soon began a madly passionate relationship that lasted from 1909 until 1918, though Capel was never completely faithful to Coco. Still, Arthur had a lasting impression on the styles of Coco, and his abundance of money helped her to gather enough resources to open another shop. With his support, Coco eventually gained access to a desirable property and financial assistance to open her second millinery shop in Brittany, France.

This time Coco experienced much more success than she did with her previous shop. Impressive clientele at Chanel’s shops, including famed American diplomats and renowned French actresses helped to build her notable reputation. In the middle of 1913, Coco opened her third and largest boutique in Deauville, featuring original women’s sportswear. This was a huge change from the common corsets that most women opted to wear to impress their husbands. A preferred location helped this shop become more profitable than the others; most women in Deauville during the World War I era were coming to realize that women should dress for themselves instead of their men. The wardrobe in which Chanel offered seemed captivating and liberating to women of this time.

Nonetheless, Capel’s influence played a huge role in deciding what fashions Coco would choose to style and sell. For example, the design of Arthur’s favorite blazers inspired Coco to incorporate a squared, masculine touch on classic suit designs. These styles still remain a staple part of the Chanel wardrobe. Coco and Arthur’s affair lasted for many years. Though Capel married Diana Wyndham, an honorable English aristocrat in late 1918, he still remained close to Coco. Later in her life, Chanel listed Capel’s fatal car accident in late 1919 the “single most devastating event” in her life. Many believe that the tragic loss of her great love was the sole reason why Chanel never married.

In the year preceding Capel’s death, world ballet impresario Sergei Diaghilev introduced a distraught Coco to famed composer Igor Stravinsky. Aside from consoling Coco’s broken heart, Sergei became a close friend and supposed companion. Chanel offered Diaghilev and his family to reside with her in her French estate. During the time in which this temporary abide took place is when it was rumored that the two had an affair. Two years after her so called ‘illicit affair’ with Diaghilev ended, Coco introduced a new product: a perfume, called Chanel No. 5. The new fragrance quickly became, and remains one of the most lucrative products of the Chanel empire. A man named Pierre Wertheimer was announced Coco’s partner in the perfume portion of the business in 1924. It was also speculated that Wertheimer may have been yet another one of the many lovers Coco had in her lifetime. Still, Wertheimer remained a close confidant and his family continues to control Chanel’s perfume company today.

In 1923, Coco told Harper’s Bazaar magazine that “simplicity is the keynote of all true elegance”. Chanel applied this statement to each and every feature of her company. The clothing she designed was always ensured to be simple, comfortable, and revealing. One of Coco’s greatest talents was the art of upgrading fabrics that were considered ‘poor’, such as jersey. Coco was also extremely influential in helping design the iconic 1920′s flapper: young women who strutted around with sleek hair and flat chests, publicly applying their makeup and smoking with long cigarette holders.

In 1925, a woman named Vera Bate Lombardi became Chanel’s official public relations liaison to several European royal families. Lombardi was reported to have had the highest correlations to build the House of Chanel. Interestingly enough, it was Lombardi’s personality whom Coco established her English Look based upon. Lombardi introduced Coco to her aristocratic family members, including her uncle, the Duke of Westminster and her cousin, the Duke of Windsor. Her close relations with many other royals only assisted in Chanel’s creative rule of the fashion world.

Also in 1925, Coco introduced her long-anticipated signature cardigan jacket. The iconic Chanel jackets have several distinguishing designs, and are constructed differently than the traditional tailored jacket. For example, Chanel’s original pieces contain silk lining quilted directly to the fabric, opposed to the usual inner structure of pad stitching. Additionally, Chanel jackets all feature machine sewn and hand-stitched fabric, providing them with more durability. The distinctive Chanel three-piece sleeve is also constructed similarly before being hand sewn to the jacket’s body. The arrays of heavy trims, metal buttons, and curbed chains sewn to the hem have a functional purpose as well. All of these factors together grant the finished product with a tremendously comfortable garment. Most of Chanel’s inventive fashions, including her signature jacket have not changed much since their original debut. This can prove that Chanel’s integrative styles were the product of a brilliant woman beyond her time.

The year 1926 brought the birth of what is now considered to be ‘the’ staple item in every woman’s closet: the signature little black dress. Now commonly referred to as simply a “LBD”, the little black dress was an instant success for Chanel, prompting American Vogue to call it the “Ford”; just as Henry Ford’s Model-T car, the LBD was an immediate hit and widely available. Chanel’s first creation of the little black dress was a slash-necked, short silk dress with diagonal pin-tucks serving decoration. Though many may perceive the LBD as too plain, Coco strongly believed that fashion should be just as functional as it was chic. Ideally simple, her interpretation of the LBD was designed to conceal stains and to fit every woman. The little black dress also is extremely versatile and can be dressed up or down to fit different people’s needs perfectly. Some believe that Coco’s early years spent at the convent orphanage with nuns offered Coco an intuitive affinity for the “uniform” worn by the women who had raised her in her time of need. Regardless, Chanel’s legendary LBD has remained the epitome of simple elegance for over 80 years.

In 1939 at the start of World War II, Coco closed all of her shops. She believed that in the middle of the entire world’s chaos, fashion was not a top priority. Coco began residing in what would become a more than 30 year stay at the Hotel Ritz Paris. During the Nazi occupation of Paris, she was widely criticized for engaging in a steamy affair with Hans Gunther von Dincklage, a German officer and Nazi spy who secretly arranged for Coco to remain in the hotel. During this same time period, Coco maintained two other residences, both of which were also located in France.

In fall of 1943, Coco sought to end 4 years of professional partition with Vera Bate Lombardi who was staying in Rome. Though Lombardi was unaware of it then, Coco’s true intention was to contact Lombardi’s relative, Sir Winston Churchill. Churchill was a member of the Walter Schellenberg Nazi plan “Operation Modellhut”. Chanel extended an offer for Lombardi to resume her work for Paris’ House of Chanel. Lombardi was overwhelmed until she discovered the truth behind Coco’s request. Vera adamantly repudiated Coco’s request, citing the fashion designer’s guise as “cut-throat”. Vera was later captured as an English spy and was locked in a Roman prison by the Gestapo. Chanel was also briefly arrested for war related crimes, shortly after Lombardi’s detainment. However, Coco’s close ties with the British Royal family ultimately prevented her from being taken to trial.

Two years after her close encounter with prison, the Nazi Empire crumbled and France was free once more. Still, the French government warned of harsh punishments to French citizens who may have partnered with the Nazis. Coco’s previous ties with Hans Gunther von Dincklage provoked several rumors about her loyalty to France. Fearfully Chanel fled to Switzerland, in hopes of obtaining a fresh new start. Coco chose to convey an upscale, yet relatively low-key lifestyle, residing in upper Lausanne aside the sandy shores of Lake Geneva. She could often be seen indulging in beauty treatments at the Valmont Clinic, which was in close proximity to her oceanfront home. Chanel was also frequently witnessed at the Steffan tea room in upper Montreux, a popular spot for local celebrities. During her stay in Switzerland, a distraught and spiteful Coco began to create her own collection of perfumes without informing her partner Pierre Wertheimer. Though Wertheimer believed his legal rights were breached, he settled the disagreement with Coco civilly. She eventually sold inclusive rights to her name to the Wertheimer family in exchange for a monthly remuneration. This stipend helped to support her and her live-in friend: former Nazi spy, Hans Gunther von Dincklage.

1953 marked the year that Chanel finally returned to Paris, only to discover that famed designer Christian Dior was now the alpha of the couture world. Coco decided to consult her estranged former business-partner Pierre Wertheimer for guidance and financial back-up. In return, Wertheimer was awarded full rights to all Chanel products. Their alliance was hoped to have sparked a flame that would reignite Coco’s majestic stance in the fashion industry. However, this was not the case for the French selection of her clientele. Chanel’s new collections were not successful with local Parisians. It is widely speculated that this is because of Coco’s publicized previous relations with German officer von Dincklage. Still, her collection was celebrated by Americans, who would later become her most prevalent purchases.

In February of 1955, the now famous Chanel suit was re-introduced to the public. Her casual yet sophisticated styles once more captured the eyes of women globally. Also in the same month, the fashionable Chanel chain handled quilted leather handbag originally premiered. Coco additionally and impressively established her first men’s cologne, referred to in France as eau de toilette, which she named Pour Monsieur. Chanel’s spring collection was granted the Fashion Oscar at the 1957 Fashion Awards in Dallas. Soon after, Chanel introduced pea jackets and bell bottoms, whose popularity soared in the 1970′s. Coco is also believed by many to be the initial trend-setter for the now popular suntanned skin look. On the eve of her return from St. Barts, Coco sported a summer glow to a fashion show, standing out from the rest of the powdered and pale faces of all the other women.

January 10, 1971 was the final day of Coco’s life. Her obituary listed her as still “designing, still working” at the time of her death. Though she led a remarkable and extraordinary life, Chanel died alone, with only the presence of her sketches and fabric samples to keep her company. In the last years of her life, Coco had become somewhat of a recluse, only leaving her home when absolutely necessary. She had few real friends, and no family. Many may have envied the aspects of Coco’s glamorous and wealthy lifestyle in theory, but most would not have traded their own lives for hers. Though Coco died with a superfluous amount of money, she was lonesome, and never got to experience the one-of-a-kind love and joy of having a husband or children. After her death, Coco Chanel left behind a true legacy. Still, her life seemed as empty as her pockets were during her childhood. She was 87.

Coco Chanel is one of the most important fashion designers of all time. In fact, Coco Chanel’s influence on modern couture was so prominent that she was the only person in the field to be mentioned on Time Magazine’s “100 Most Influential People of the 20th Century.” Though Coco is still criticized today for being dubious about her childhood and years before her stardom, some support her decisions, citing that she was only attempting to “diminish the disgrace that poverty and illegitimacy bestowed upon the unfortunates in 19th century France”. Though Chanel has been deceased for nearly 30 years, her legacy continues to live on today. In the utmost of impressive ways, Coco Chanel single-handedly changed the face of fashion, and for that, she will live on for eternity.

Sara Buttar

Author: Sara Buttar
Article Source: EzineArticles.com
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No one trend is supreme in the fashion world at any one time. There are hundreds of competing looks that are epitomized by different fashion labels. Fashion design has evolved from the universal style worn by everyone.

Englishman Charles Fredrick Worth opened the first haute couture house in Paris in 1858, becoming the first famous fashion designer. Previously clothing design and creation was dictated by individuals who approached dressmakers ordering completed garments.

Continued advancements of communication and technology created an increase in the production of and desire for new textiles. The tradition of designers sketching out designs rather than the completed garment began as an economy.

As women became more independent they began to demand more practical clothing. In the early 1900s the Maison Redfern tailored suit became an indispensable part of the well dressed women’s wardrobe. Based directly on it’s male counterpart, it was both practical and elegant.

When Christian Dior launched his ‘New Look’ in 1947 it was possible for a fashion designer to radically transform the way a woman dressed. Tired of the broad shoulders and short skirts of war years fashion, women loved the feminine long full skirts and small shouldered nipped in tops that Dior created for them. He made them feel glamorous and as sophisticated as the movie stars on the silver screen.

Although most women could not afford a couture dress, the New Look fashion was made available to women as mass manufacturing took hold in America. This is when fashion for all became a reality and the trend has accelerated each decade.

Fashion has long been influenced by the world of art and current events. Over the years designers have taken inspiration from the Art Deco movement, Salvador Dali and ancient Greek civilisations to name but a few. Hemlines, adornments and cuts of fabric were reigned in during times of war or economic depression, giving raise to sleek, elegant, slim fitting outfits more suitable for the aspiring feminist.

The popularity of American movie stars like Marilyn Monroe, Grace Kelly and Lauren Bacall created a desire to copy their ‘Look’ and as they were seen by more people than the catwalk fashion shows, they became more influential. Celebrities have become the ideal showcase for designer fashion, with many fashion houses choosing a celebrity rather than a model to advertise their garments.

Followers of fashion have very different values and lifestyles and choose the style epitomised by a particular fashion label. As a result there will never be another ‘New Look’ that is taken up by everyone to some degree. The Romantics will follow John Galliano whilst the Rebels followed Alexander McQueen and so on. Every taste from Avant-Garde to Status Symbol is catered for, transforming fashion to big business and high art rather than small scale luxury.

http://www.newseasonfashion.co.uk

Find links to an extensive range of catwalk and celebrity inspired high street clothing and accessories at New Season Fashion. Commited to offering you the latest must have fashions from all your favourite brands and a few niche brands that are sure to become favourites.

Author: Margaret Roden
Article Source: EzineArticles.com
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When people dress in the morning, they probably don’t think about the groundbreakers in fashion design who have influenced them, either directly or even subconsciously. But fashion would not be what it is today without these designers, tastemakers, and entrepreneurs. They’ve changed the way we think about clothes, the way we wear them, and the way we buy them.

Charles Frederick Worth. Considered the Father of Haute Couture, Worth was the first fashion designer to make a name for himself. Before he opened his Paris fashion house in 1858, fashion design and construction were handled by anonymous tailors and seamstresses. He was the first to display model dresses at fashion shows in which customers placed orders, rather than letting customers dictate the style of their garments. He is also credited as the first designer to put labels on his designs.

Levi Strauss. During the California Gold Rush, Strauss was a retail store owner. Gold prospectors at the time wore cotton pants that tended to rip easily, so Strauss and a tailor, Jacob Davis, created more durable pants that were reinforced by small metal rivets. Jeans were born, and the rest is fashion history.

Coco Chanel. She may be known for the “little black dress” and classic cut suits, but women can especially thank Chanel for making clothes comfortable. Opening her first shop in 1913, her menswear-inspired designs freed women from the constraining corsets and uncomfortable long dresses that were in vogue at the time, ushering in an era of modern, casual dress.

R.H. Macy. The founder of Macy’s department store drastically altered the way people bought clothes when the first Macy’s opened in 1958.. While consumers previously went to small, family-owned shops or general stores primarily if they needed new clothes, they went to department stores more often just to peruse the wide variety of merchandise. And if they happened to find clothing that appealed to them on display, they would then purchase it. For the first time, clothing became an impulse item.

Edith Head. From the late 40s to early 70s, eight-time Oscar winner Edith Head was the designer of choice for some of Hollywood’s most well-dressed leading ladies including Grace Kelly and Audrey Hepburn. Largely because of her influence, audiences became captivated with the love affair between movie stars and fashion design – a fascination that exists to this day.

Eileen Ford. The founder of Ford Models was responsible for discovering pretty women like Cheryl Tiegs and Christie Brinkley and turning them into household names, thereby creating the concept of the “supermodel” in the 70s. Supermodels have come to define American beauty – the way we aspire to look and dress.

Richard Blackwell. When Mr. Blackwell first published his “Worst Dressed List” in 1960, he pretty much invented the notion of “what not to wear.” His biting remarks of stars’ fashion sense, or lack thereof, created a cottage industry of fashion criticism, eventually leading to today’s red carpet commentaries and post-awards fashion blogs.

Ralph Lauren. Fashion giant Ralph Lauren was a pioneer in turning a fashion design label into a lifestyle brand. Through aggressive advertising, he was not just selling clothes, he was selling an image: aristocratic, preppy, with a touch of the rugged West. He started a hunger for labels, as the public bought up anything with his polo player logo, especially his iconic short sleeve mesh shirt, introduced in 1972. And through numerous licensing agreements, consumers could own a little piece of luxury, even if it was just a pair of socks or a towel with a polo player on it.

Donald Fisher. With his wife Doris, Fisher opened a little store called Gap in 1969 that would grow to become an American institution. While Gap popularized khakis and casual Fridays, its legacy is much more far-reaching: Gap has become the epitome of the “mall store” concept, in which no matter what city consumers may be in, they have the comfort of knowing that the Gap store there is just like the one in their hometown. Practically every clothing retailer has followed this business model, resulting in a fashion landscape that is rather homogenous throughout the country.

Anna Wintour. Considered one of the most important, and intimidating, people in fashion today, the Vogue editor-in-chief since 1988 is known to set trends and anoint new designers. If Wintour puts a designer in her magazine, the implied endorsement can make his or her career. Because of her influence, John Galliano became the head designer of Dior, and Brooks Brothers collaborated with Thom Browne. Her clout in the current fashion scene is simply unrivaled.

Although this list of influential figures is short, the fashion school history annals could provide hundreds of additional names of people who have influenced the way we dress. Our hats are off to all of them.

If you love clothes and all things fashion, a career in fashion design might be right for you. Visit FIDM, fashion school for more info.

Author: Lily McCallister
Article Source: EzineArticles.com
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If you are one of the modern lady tends to keep up-to-date with all the latest fads and styles then you would keep watch the the changes in Fashion. Fashion design is big business and it has moved from certain clothing and colors to the way tops are worn and dresses are fitted. It is beyond the mere pretty clothes.

A good Fashion designers have one thing in common. They give the latest and best to the market especially for the ladies. Of course, by doing so, they make money for their business or profession. Fashion designers got their ideas from everywhere and source such as customers, suggestions even complaints. These information when articulate form an idea for their fashion design. These information are only one source of input to the fashion designers. They must get more ideas from difference angle and sources. Example, they will attend all sorts of fashion show, exhibitions, even window shopping. They will look around and wonder aorund shopping mall, fashion boutique etc. Once an idea trigger their thinking, they will figure out and tunr the idea into a fashion design sketches.

A Fashion Design Sketches is like a piece of fashion ideas in the form of a sketch. It allow the design to visualize how the design ideas look like and allow his to make changes and modification to come out with yet another design sketches.

The difference between a man on the street and a fashion designer is their ability to use their imagination and see beyond the physical state in front of him. Together with the imagination and creativity, designers are able to turn an ordinary piece of idea into an attractive fashion design sketch.

About the Author: Dr. LM Foong, PhD
He writes and publishes articles and blog in the areas of Fashion for the ladies to upkeep their taste and beauty. Get more tips from Fashion Design Sketches

Author: Dr. LM Foong
Article Source: EzineArticles.com
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The realm of fashion design, by its sheer glamour and grace, has always been exciting and intriguing. When we talk of fashion design, it implies a form of art that incorporates the nuances of creating clothes and accessories.

The history of fashion design can be traced back to the beginning of the19th century when the designs were the product of the dresses worn in the royal courts. Eventually, Charles Frederick Worth, the first fashion designer, set up his first fashion house in Paris. His designs greatly influenced the people and they labeled them as the designs of the “House Of Worth.” As a result, a designer became synonymous with a particular brand.

Another important designer who made a significant contribution to the evolution of the fashion was Paul Poi Ret. He blended the classical style consisting of aesthetic dressing with Paris fashion. Other important designers of this age were Patou, Vionnet, Fortuny, Lanvin and Chanel.

Throughout the 20th century, Paris remained the world’s fashion hub, with countries such as the US and Britain openly aping the French designs. The post World War era saw the emergence of other countries as the centers of fashion and Paris ceased to be the sole influential factor. The rising British fashion industry brought a new range of street fashion focusing mainly on the young consumers.

Later, American designers such as Calvin Klein And Ralph Lauren came to the fore with their sportswear and made it a style statement. Today, fashion designs can be categorized into two main categories. The haute couture is designed for individual customers. The other category is the ready-to-wear collection. While the former is based on certain themes and is more for creating a style statement, the latter is meant for the masses.

The mid-90s saw the emergence of a new breed of designers who redefined traditional concepts. They looked at fashion from a new angle, creating their own new concepts.

Thus, the world of fashion design has witnessed a steady evolution over the years and has been the by-product of the sincere efforts of many of the top designers.

Fashion Design [http://www.e-FashionDesign.com] provides detailed information on Fashion Design, Fashion Design Schools, Fashion Design Programs, Fashion Design Games and more. Fashion Design is affiliated with Fabric Hammocks.

Author: Jennifer Bailey
Article Source: EzineArticles.com
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